In newest Passover children’s books, a lion reads the Haggadah and a Depression-era mitzvah

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By Penny Schwartz

On the eve of Passover during the Depression, a juggler in ragged clothes is invited into the home of a poor family that has a bare seder table. It’s a poignant scene in “The Passover Guest,” the captivating debut picture book by author Susan Kusel, a longtime Judaica librarian who was inspired by a classic Yiddish tale, “The Magician,” by I.L. Peretz.


A different seder table takes center stage in “The Four Questions,” where a bespectacled lion reads from a Haggadah at a lavish ceremonial meal with guests that include a zebra, a young monkey and other whimsical animals. The gloriously illustrated book is a new edition of the 1989 classic by the late artist Ori Sherman with text by the acclaimed novelist and poet Lynne Sharon Schwartz.

The pair are standouts in this spring’s crop of eight new engaging children’s books for Passover.

Other titles feature lighthearted humorous stories and a lively interactive family Haggadah with tips for this COVID-19 era, when many seder guests may be joining remotely.

Baby Moses in a Basket
(Candlewick via JTA)

“Baby Moses in a Basket”

Caryn Yacowitz; illustrated by Julie Downing

Candlewick; ages 3 to 7

In simple rhyming verse, Yacowitz reimagines the biblical story of baby Moses as his mother sets him adrift in a basket on the Nile to save him from harm from the Egyptian Pharaoh. The river’s creatures protect baby Moses until he is discovered by Pharaoh’s daughter. Downing’s beautifully colored double-page illustrations of a wide-winged ibis, a hippo, crocodile and an escort of butterflies bring the story to life.

 

Seder in Motion
(Behrman House via JTA)

“Seder in Motion: A Haggadah to Move Body and Soul”

Rabbi Ron Isaacs and Dr. Leora Isaacs; illustrated by Martin Wickstrom

Behrman House; all ages

Here’s a lively family Haggadah that encourages seder participants of any age to feel a personal connection to the Passover story. The engaging style follows the traditional order of the seder and features Jewish customs from around the world along with thought-provoking questions. There are plenty of tips for remote guests.

 

Meet the Matzah
(Viking via JTA)

“Meet the Matzah: A Passover Story”

Alan Silberberg Viking; ages 3 to 5

In this playful and zany story, the award-winning cartoonist Silberberg sets the humorous action in an imaginary classroom where the “students” are types of breads. Alfie Koman, a shy matzah, tries to retell the story of Passover, but the school sourdough, Loaf, takes over and stirs trouble. Alfie must decide whether to leave his hiding place to confront the mean-spirited Loaf. Expect lots of laughs from Loaf’s made-up version of the Ten Plagues (among them no WiFi and broccoli for dessert).

 

Matzah Craze
(Kar-Ben via JTA)

“Matzah Craze”

Jamie Kiffel-Alcheh; illustrated by Lauren Gallegos Kar-Ben; ages 4-9

At Noa’s multicultural school, the kids like to swap what’s in their lunch boxes. But during Passover, when Noa has an unusual looking cracker — her matzah — she explains to her friends that she can’t swap. In Kiffel-Alcheh’s delightful rhyming story, the spunky Noa, with copper-toned skin and frizzy red hair, figures out how to share her favorite ways to eat matzah.

 

The Great Passover Escape
(Kar-Ben via JTA)

“The Great Passover Escape”

Pamela Moritz; illustrated by Florence Weiser

Kar-Ben; ages 4-9

It’s the eve of Passover at the Biblical Zoo in Jerusalem, and Elle the elephant and Kang the kangaroo are eager to find a way to escape and find a seder. Their friend Chimp answers their Passover questions and joins the adventure. Will the trio get past the locked zoo gate and find a ritual meal? Pamela Moritz’s humor-filled story is embellished with Florence Weiser’s brightly colored illustrations.

 

The Passover Guest
(Neal Porter Books via JTA)

“The Passover Guest”

Susan Kusel; illustrated by Sean Rubin

Neal Porter Books/Holiday House; ages 4 to 8

Set in Washington, D.C. in 1933, during the Depression, Kusel’s warmhearted story takes its inspiration from Uri Shulevitz’s version of Peretz’s Yiddish tale “The Magician,” which she loved as a child. On the eve of Passover, a young girl named Muriel wanders around her favorite sites in the nation’s capital. She’s in no hurry to go home because her family does not have enough money for a seder.

At the Lincoln Memorial, Muriel is enchanted by a juggling magician dressed in rags. When the stranger turns up at her family’s door and is invited in for Passover, their bare table miraculously fills with an abundance of food for the seder. Could the mysterious guest have been Elijah? Sean Rubin’s vibrant, expressive illustrations pay tribute to Marc Chagall, Rubin writes in an artist’s note.

 

Moses Could Have Been Selfish
(MJ Wexler Books via JTA)

“Moses Could Have Been Selfish”

MJ Wexler

MJ Wexler Books; ages 3 to 7

In this simply told rhyming story, Wexler retells the story of Moses and the Exodus from Egypt in an accessible style for young kids, emphasizing standing up against injustice. Questions at the end encourage discussion.

 

The Four Questions
(Demco Media via JTA)

“The Four Questions”

Illustrated by Ori Sherman; text by Lynne Sharon Schwartz

Levine Querido; ages 8 and up

In this exquisite pairing of text and art, Sherman and Schwartz captivate readers — kids and adults — with the Four Questions traditionally recited by the youngest child at the beginning of the seder. The lavishly illustrated book is a new printing of the original first published in 1989.

Like the seder itself, the book has the air of mystery and intrigue. Schwartz answers the Four Questions with a lyrical narrative of the Passover story and its rituals. Sherman fills the bordered pages with gloriously colored illustrations of whimsical elephants, monkeys, fish, goats and birds. Turn the book upside down for a view of the Four Questions written in Hebrew calligraphy and other illustrations.

A back page note by Ori Z. Soltes, a scholar of Jewish art, explains that Sherman’s dazzling art carries forth traditions from hieroglyphics to illuminated Jewish manuscripts and the centuries-old painted murals of Eastern Europe’s wooden synagogues.

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