Kendell Pinkney | JTA
When I read the news about Kanye West, I didn’t know whether to turn off my phone, or throw it.
I knew it would only be a matter of time before the emails and texts began rolling in: What do you think about Kanye? What’s to be done about antisemitism in the Black community? You must agree that “Ye” is challenging systems of power, not being antisemitic! Have you read this article by Black person X? Have you read this thought-piece by Jewish person Y? You know Heschel and other Jews walked with King at Selma; what would it take to get back to that!?
Here’s the reality: I am Black, I am a rabbi, and I am a theater artist who frequently makes work that probes the intersections of Black and Jewish identity. So yes, I get why any number of people reached out to get my “take.” But to be honest, I find the Kanye saturation of this moment to be more exhausting than instructive, harmful as his incessant flow of antisemitic bile is.
The reason for my exhaustion is that moments like this more often result in stale public rehearsals of facts-and-figures, rhetorical whataboutism and, in my case, private requests for explanations or defenses. In cases where there’s a public apology, we might get a heavily staged meeting between a symbolic Black person and a symbolic Jew, but no one really thinks that such a “coming together” does the real work of forging understanding.
In short, events like this tend to result in panic and punishment, not in introspection.
Lest I be misunderstood, let me state a few points clearly:
1. Kanye is antisemitic and, like his equally egregious anti-Black and misogynist statements, his statements about Jews are appalling and deeply harmful.
2. Despite the number of books on such topics, Black antisemitism is not a thing, just like Jewish anti-Blackness is not a thing. Rather, antisemitism and anti-Blackness are longstanding structures of social prejudice that all peoples and societies fall prey to.
3. Regarding Black-Jewish civil-rights solidarity, while it’s worthwhile remembering the intrepid Jewish leaders who walked with Dr. Martin Luther King Jr. and other Black civil-rights leaders in Selma, that act of righteous resistance from nearly 60 years ago will only take Black and Jewish communities so far into their shared futures.
Inhabiting both a Black and Jewish identity in the contemporary United States can be maddening. It’s akin to navigating a rhetorical funhouse: You know that your lived experience is fully coherent, but the reflections you encounter along the path distort, disfigure and “invisiblize” your reality.
More precisely, as a Black Jew, you’re often forced to consider your identities from the perspectives of others, very few of whom have given any thought to your particular existence. If this idea sounds familiar, well, it is. It’s quite old.
In his seminal 20th-century masterpiece, “The Souls of Black Folk,” the eminent Black polymath W.E.B. Du Bois addressed the conundrum of living in a society where the structures of racism force Black people into a split consciousness. “It is a peculiar sensation,” Du Bois writes, “this double-consciousness, this sense of always looking at one’s self through the eyes of [white] others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity. One ever feels his twoness, — an American, a Negro; two souls, two thoughts, two unreconciled strivings … .”
I have been in countless situations where I have simply sought to follow my interests, only for my Blackness to be the cause for minor and major slights. I have also endured antisemitic aggression and witnessed anti-Jewish religious sentiment up close. What’s more, I have experienced the above in both communities. And I am not alone in this.
Many Black Jews can attest to the same. To live as a Black Jew in America means to live with an awareness of just how precarious group belonging can be. In the case of hate speech, it also means an unfortunate familiarity with the frequent intersections between anti-Blackness and antisemitism. Such experience would lead me to believe that Black Jews might have something unique to say in this moment. Yet predictably, what has happened since Kanye’s spate of antisemitic tweets is that Black Jews have been functionally overlooked in the public discourse — our voices relegated to small or parochial news outlets, niche podcasts or Twitter feeds.
To me, this phenomenon places Du Bois’s observations in greater relief. Namely, being Black and Jewish in America is more than an act of “double-consciousness,” it is an act of “triple-consciousness.” In this configuration, I know by virtue of my Black, Jewish and American identities that I am an integrated being who embodies a way forward for our society, but I am often made to contend with the fact that my communities, and society in general, can only grasp my identity in its discrete parts, not as a whole.
In case you think this “triple consciousness” is theoretical, let me offer a few examples.
To live with “triple consciousness” is to notice there were few calls beyond those of Black individuals to condemn and boycott Kanye when he trafficked in white supremacist, anti-Black ideology. To live with “triple consciousness” is to argue with non-Jewish acquaintances that pointing out the number of Jews in finance and media does not a keen observation make, nor does it provide evidence of a powerful cabal.
To live with “triple consciousness” is to carry the distinct, lived histories of two peoples in your heart and mind at all times. To live with “triple consciousness” is to know in the most intimate way that anti-Black rhetoric hurts Jews, and antisemitic rhetoric hurts Black people, because there are many of us who carry both identities and cannot disentangle them.
Finally, to live with “triple consciousness” is to wonder whether my mixed Jewish child will grow up in an America where she feels compelled to closet aspects of her identity because society cannot hold the wonder of her complexity.
I cannot solve the issue of “triple consciousness”; after all, I did not create the strange reality underpinning it. Such a feat calls for a great amount of work, honesty and humility. It also requires a willingness to interrogate how multiple oppressions are interlinked, rather than to dismiss such language as performative and overly “woke.”
I am not interested in virtue-signaling, much less ideological purity. Rather, I want what everyone wants, what Du Bois wanted: the simple dignity to be myself — Black, Jewish and American, “without being cursed and spit upon.”
Kendell Pinkney is a New York-based theater artist, producer and rabbi. He is the rabbinical educator at Reboot and the founding artistic director of The Workshop, an arts-and-culture fellowship for BIPOC-Jewish artists.